at Sedgefield Methodist Church and St Andrew’s Dawson Street, Crook
Aldersgate Sunday 20th May 2012
In a career spanning
nearly 40 years, Antony Gormley has made sculptures that explore the relationship
of the human body to space. His work attempts to treat the body not as an
object but as a place; almost all his work takes the human body as its subject,
with his own body used in many works as the basis for metal casts. His large-scale installations are well know to
us, the Angel of the North made from
200 tonnes of steel rises 20 meters from a former Gateshead colliery pithead
baths, it dominates the skyline, dwarfing all those who come to see it. Another Place, consists of 100
cast-iron, life-size figures spread out along three kilometers of the foreshore
at Crosby Beach, Liverpool, Tranport is
another work of art suspended above the
site of the most venerated shrine in all Anglicanism, the first tomb of
Archbishop Thomas Becket, murdered at Canterbury cathedral in 1170. It is made
up of old iron nails taken from the repaired roof of the Kent Cathedral.
It
was in 2009 that Gormley conceived another space for body sculptures. “One and Other” was the title for a
design installation for the empty fourth plinth in Trafalgar Square. Every
hour, 24 hours a day, for 100 days, different people would make the fourth
plinth their own - what Gormely called a living, breathing art experience.
Instead of the 4th plinth being reserved for sculptures of generals
and kings or contemporary works of art, people themselves would become the living
image on the plinth........ the
performer, the funny, the sad, the mad and simply bemused, bored or bizarre,… and
true to form a retired girl guide leader and friend of the family, Gwyneth, had
her turn. 3am on a very wet morning Gwyneth was hoisted up onto the plinth in
her wheelchair and when secured, performed, with flags, semaphore signs; a semaphore being a nineteenth century system
for conveying information at a distance by means of visual signals with
hand-held flags. As I said Gwyneth, 83 from Oxford and a retired school teacher,
a guiding colleague of my twin sister is a one -off, lovable but quite bizarre,
eccentric and well – whacky, not quite as whacky as my loveable twin sister who
is to pay me and St Andrew’s a visit 1st weekend in June! As well as Gwyneth some 2,400 people took part
in this living art experience, they were witnesses to who and what they are in
that space, they celebrated their uniqueness as well as exposing their
vulnerability. As Gormely said, they collectively were a ‘portrait’ of
Britain.
Over the course of time, Methodists,
which number some 75 million worldwide, have erected in their own countries
statues of their founder, John Wesley, often on plinths, or on horseback, or a
museum like that of High House, the Weardale Museum. Statues erected in thankfulness
for his ministry. His ministry was to transform the lives of millions of
people. Wesley remained orthodox in his theology*, but during the political
turmoil and changes of the 18th century his life had been changed by
knowing the reality of the living God in his life, his love and grace, his
forgiveness and peace. And because of his experience Wesley was determined to
bring the gospel to the unchurched and the poor. Wesley in all his weakness and vulnerability was
to be a semaphore, a sign, a witness to the love and grace of God, a living
image of Christ.
As we come to the last few days of the
Easter season we find ourselves with the disciples as they prepare to stand as
witnesses, living signs – in those pregnant days following the Ascension –
waiting to be equipped by God’s Spirit and called forward into that place that
Jesus has created - in all their vulnerability
- to speak and act and live in their own unique way – the message of the Gospel
– witnessing to the life, ministry, death and resurrection of Jesus. They were in
Gormley’s words to become the living portrait not of themselves but of
Jesus Christ. Through the specific calling of Matthias that we hear of today,
we hear again the call upon each individual to be a witness to his resurrection
in our own way. Familiar words form John Wesley’s hymn which we sang
earlier in our service
Jesus, confirm my heart's desire,
To work, and speak, and think for
thee
Still let me guard the holy fire,
And still stir up thy gift in me –
To work and speak and live for thee in my own space
whether that be my home, my place of work, the factory floor, the council
chamber, nursing home, my community, in my own space, whatever plinth space we
find ourselves on.
It
is rather appropriate that our readings today contain references to some of John Wesley’s biblical
principles, namely the life of holiness and unity of the spirit. In Psalm 1 the righteous person is praised
and revealed to be one who bears fruit and who is truly blessed. In John’s
letter, the holy person is shown to be one who receives God’s testimony about
Jesus and who receives life from Jesus. In Jesus’ prayer in John’s gospel,
Jesus asks that God would keep his disciples safe and would make them holy
through God’s truth in God’s word. The second major theme of John Wesley’s life,
that of unity with God and with one another, flows out of the call to love which
we have read in our lectionary readings at the end of these last couple of Sundays
of Easter. In Acts, the unity of the apostles is extended to include the new
appointment of Matthias. In Psalm 1, the righteous person is one who rejects
the company of the wicked but who, unlike the wicked, finds a place among the
company of the righteous. In Jesus’ prayer in John 17, Jesus prays for the
unity of the disciples with one another even as he is one with God. In the end,
these two themes merge and become one, because it is in our union with God and
one another that true holiness is expressed and lived. Holiness, which John
Wesley defined as perfect love, unites and joins and creates community.
The English poet, Roman Catholic
convert and Jesuit priest, Gerard Manley Hopkins poem As Kingfishers catch
fire, reminds us of the full potential of each person, uniquely called, as
we come to know ourselves through our lifetime as loved by God; each…
“Acts in God’s eye what in God’s eye he is—
Christ—for Christ plays in ten
thousand places,Lovely in limbs, and lovely in eyes not his
To the Father, through the features of men’s faces.”
We have discussed some of these issues
at our Church council meetings, how we welcome and cope with baptismal
families, the stranger, children and their parents who come to mum’s and
toddler groups, those who are not like us, not one of us, and how the church
might offer support and help to families in places of economic hardship. Messy Church and Fresh Expressions (of worship) are just some of the initiatives we
have taken on board, as well as regular all age worship services which are
programmed to start in the Autumn. We are trying in our own way to seek to
inhabit and hold open to others the place where Jesus is.
John Wesley travelled far and wide to
bear witness to God’s forgiving presence. He ignored distance, tiredness and
frustration because he rejected any thought that human institutions could
domesticate the love of God. John Wesley met the needs of his generation with
compassion and courtesy and personal concern which stemmed from his deep
awareness of God’s gracious presence with him, with all people and with all
creation. Pray God that we to may emulate our founder to welcome people into
that place where Jesus is, remembering that we are there at God’s initiative
and invitation. Occupying that place, witnessing to the truth of Jesus Christ,
exposes us and makes us vulnerable. It means witnessing to Christ’s truth in
difficult places and ordinary life and so finding them holy.
Ten years ago Mark Wallinger's Ecce Homo:Behold the Man, was the first sculpture to occupy the Fourth
Plinth. It portrayed Christ at the moment he was handed over to the crowds by
Pontius Pilate. Vulnerable, truthful… because he came and stood in that place.
We too are called there; vulnerable and exposed but at the same time (like
the disciples) surrounded by the love and protection of God.
As the Easter season draws to a close,
it may well be time for us to reconsider the space we occupy as we try to engage
with issues of ministry and evangelism in these challenging times, so that
following Jesus Christ as John Wesley did, we may bring healing and hope,
God’s’ amazing love to the vulnerable, exposed, waiting and wounded in our
community and the world at large.
*Methodist
Theology; Kenneth Wilson, Continuum Press 2011
Acts
1.15-17; 21-end; John 17.6-19
Ray Anglesea is a self supporting minister working in St Andrew’s Dawson Street LEP, Crook and in the wider West Durham Methodist Circuit